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當(dāng)前位置 首頁 短劇 《洗牌》

洗牌7.0

類型:短劇 日本 1981

主演:中島陽典  Tatsuya  Mori  室井滋  

導(dǎo)演:石井岳龍  

播放地址


無需安裝任何插件,即可快速播放



無需安裝任何插件,即可快速播放


劇情介紹

片名:《洗牌》

類型:短劇

上映時間:1981

上映地區(qū):日本

導(dǎo)演:石井岳龍

主演:中島陽典,Tatsuya,Mori,室井滋

集數(shù): 完結(jié)

語言:日語

短劇洗牌由演員中島陽典,Tatsuya,Mori,室井滋精彩表演,洗牌講述了一段感人的故事。洗牌短劇由知名導(dǎo)演石井岳龍指導(dǎo)拍攝,洗牌的影片鏡頭完美,洗牌的劇情千回百轉(zhuǎn),洗牌的精彩片段膾炙人口,洗牌讓人夸夸其談。洗牌上映于1981年,洗牌在上映地區(qū)日本受到大家喜歡,而成為熱門。洗牌的評分達到7.0分,所以洗牌是一部優(yōu)秀的短劇。

洗牌劇情講述了:

典型的早期日式朋克電影,黑白影像+連續(xù)而晃動的手提攝影+朋克樂,石井當(dāng)年就是以此片出道的。。。                                                                      This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).                                                                      After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

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