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當(dāng)前位置 首頁(yè) 劇情片 《芳心封鎖》

芳心封鎖5.0

類(lèi)型:劇情片 其它 1969

主演:Gila  Almagor  

導(dǎo)演:Gilberto  Tofano  


無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放



無(wú)需安裝任何插件,即可快速播放


芳心封鎖相關(guān)的美劇

劇情介紹

片名:《芳心封鎖》

類(lèi)型:劇情片

上映時(shí)間:1969

上映地區(qū):其它

導(dǎo)演:Gilberto,Tofano

主演:Gila,Almagor

集數(shù): 完結(jié)

語(yǔ)言:其它

劇情片芳心封鎖由演員Gila,Almagor精彩表演,芳心封鎖講述了一段感人的故事。芳心封鎖劇情片由知名導(dǎo)演Gilberto,Tofano指導(dǎo)拍攝,芳心封鎖的影片鏡頭完美,芳心封鎖的劇情千回百轉(zhuǎn),芳心封鎖的精彩片段膾炙人口,芳心封鎖讓人夸夸其談。芳心封鎖上映于1969年,芳心封鎖在上映地區(qū)其它受到大家喜歡,而成為熱門(mén)電影。芳心封鎖的評(píng)分達(dá)到5.0分,所以芳心封鎖是一部?jī)?yōu)秀的劇情片。

芳心封鎖劇情講述了:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.。

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